{"title":"Available Now","description":"\u003cp\u003eRecords and CDs currently in stock and ready to buy. Updated automatically as inventory changes.\u003c\/p\u003e","products":[{"product_id":"fka-twigs-lp1-vinyl","title":"LP1 (LP)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eWill leave you in a trance. Built with Arca, Paul Epworth, Clams Casino and Sampha, and shortlisted for the 2014 Mercury Prize.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased August 6, 2014\u003c\/strong\u003e via Young Turks, LP1 is R\u0026amp;B taken apart and reassembled in zero gravity. FKA twigs sings in a breathy filament close enough to fog the glass, threaded through beats that drip, clank and hiss: Arca's fractured architecture on \"Lights On,\" Emile Haynie's slow-motion pulse on \"Two Weeks,\" Paul Epworth's elastic, bass-heavy strut on \"Pendulum,\" Sampha's hand on the bruised minimalism of \"Numbers.\" Songs start tangled in their own murk and resolve only when they choose to.\u003c\/p\u003e\n\u003cp\u003e\"Two Weeks\" stages a seduction as a dare, \"Video Girl\" turns her years dancing in the background of other artists' videos into a ghost story about being seen and never recognised, and \"Give Up\" lets her voice stand almost alone. Pitchfork's Philip Sherburne called it a monumental debut. The records that have tried to sound this weightless since make the stronger case. It reached No. 16 in the UK and No. 30 in the US.\u003c\/p\u003e\n\u003cp\u003e12-inch black vinyl, new and sealed.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e 12\" black vinyl.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e New, sealed.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"FKA twigs","offers":[{"title":"Default Title","offer_id":46503286505713,"sku":"","price":3550.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/fka-twigs_lp1.jpg?v=1773839145"},{"product_id":"hozier-unreal-unearth-black-2lp-vinyl","title":"Unreal Unearth (LP)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eDante's nine circles of hell, Hozier's first songs sung in Irish, and his first No. 1 album in the UK.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased August 18, 2023\u003c\/strong\u003e via Rubyworks and Island, Unreal Unearth uses Dante's descent through the Inferno as a frame for heartbreak, greed and grief, with Jennifer Decilveo and Bekon producing and, for the first time, co-writers in the room. The palette widens to match the scale. \"Francesca,\" named for one of Dante's damned lovers, crests on a full-throated chorus about the grief that follows a love's end. \"Eat Your Young\" sets a satire on how the comfortable treat the poor to a bouncy, almost jaunty groove, and \"Damage Gets Done\" steps into bright indie-pop terrain.\u003c\/p\u003e\n\u003cp\u003eThe voice is still the engine, that low, choir-trained baritone climbing toward gospel peaks and sinking back into murmured Irish on \"De Selby (Part 1).\" The descent bottoms out on \"Unknown \/ Nth,\" betrayal in the ninth circle, and \"First Light\" closes with the escape, hell behind and the sky in view. It is his most theatrical record and his most generous. Sixteen tracks, No. 1 in Ireland and the UK, No. 3 in the US.\u003c\/p\u003e\n\u003cp\u003eThis is the 2x12\" black vinyl edition in a gatefold, with lyric-printed inner sleeves and 12\" photo inserts, new and sealed.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e 2x12\" black vinyl, in a gatefold sleeve with lyric printed inner sleeves and 12\" photo inserts.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e New, sealed.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Hozier","offers":[{"title":"Default Title","offer_id":46591095963889,"sku":"1","price":3800.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/hozier-unreal-unearth-gatefold-lp-jacket-poster.jpg?v=1774002348"},{"product_id":"flying-lotus-yasuke-vinyl","title":"Yasuke (LP)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eFlying Lotus wanted \"a Blade Runner thing\" for a samurai anime.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased April 30, 2021\u003c\/strong\u003e via Warp, Yasuke is Flying Lotus's score for the Netflix anime about the African retainer who served Oda Nobunaga in late-16th-century Japan, a three-year project he also executive produced. LeSean Thomas directed for Studio MAPPA, and LaKeith Stanfield voices the title character. FlyLo aimed for the sound Vangelis brought to Blade Runner and the way J Dilla sampled Isao Tomita. The 26 cues fuse synth melodies and machine rhythm with taiko, hyōshigi clappers and West African percussion: feudal Japan wired into a Los Angeles beat lab.\u003c\/p\u003e\n\u003cp\u003eMostly instrumental, it still makes room for voices. Thundercat joins him on the theme \"Black Gold,\" Denzel Curry snarls through \"African Samurai,\" and Niki Randa drifts across \"Hiding in the Shadows\" and \"Between Memories.\" The cues move through combat, mourning and stillness without losing their shape, and it stands out as the most cinematic record in his catalogue.\u003c\/p\u003e\n\u003cp\u003e12-inch black vinyl, sealed.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e 12\" black vinyl.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Mint, sealed.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Flying Lotus","offers":[{"title":"Default Title","offer_id":46593903526129,"sku":"","price":3550.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/5b886385-5a46-4d46-87a9-7ac8d26853c8_thumbnail_4096.jpg?v=1774002187"},{"product_id":"japan-quiet-life","title":"Quiet Life (LP)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Sylvian found his croon here, and half the 1980s found its blueprint.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased December 1979\u003c\/strong\u003e via Hansa, with the UK release following in January 1980, Quiet Life was Japan's third and final album for the label, cut mainly at AIR in London with John Punter producing. Steve Jansen called Punter the sixth band member, and Punter mixed the record as a wall of sound: Richard Barbieri's long-held synth tones, Mellotron choirs on \"Halloween,\" strings swelling under \"In Vogue\" and \"The Other Side of Life,\" and Mick Karn's slippery, melodic bass sliding underneath it all. Over the top Sylvian croons, cool and distant, a singer who had absorbed late-70s Bowie and Roxy Music and came out sounding entirely like himself.\u003c\/p\u003e\n\u003cp\u003eBarbieri later said the band \"discovered sophistication, subtlety and nuance,\" and the restraint is audible in every bar. The album reached No. 53, Japan's first chart album in the UK. The title track became a UK hit when it was issued as a single in August 1981, reaching No. 19, and a reworking of Lou Reed's \"All Tomorrow's Parties,\" cut at DJM Studios, went to No. 38 in 1983. Duran Duran's John Taylor named Karn a big influence. The record's longer legacy is how many bands learned from it to sound expensive and haunted at the same time.\u003c\/p\u003e\n\u003cp\u003eThis is the BMG reissue of March 5, 2021: half-speed remastered, pressed on 180g vinyl, in a gatefold.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl, LP, Album, 180g, half-speed remaster, gatefold. BMG reissue, 2021.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Japan","offers":[{"title":"Default Title","offer_id":46594886598897,"sku":"","price":3300.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/911ll61amsL._SL1500.jpg?v=1773929000"},{"product_id":"tamino-every-dawn-s-a-mountain","title":"Every Dawn’s A Mountain (LP)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eThe grandson of Egyptian singer Muharram Fouad builds his third album around the oud, and brings Mitski in for \"Sanctuary.\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased March 21, 2025\u003c\/strong\u003e via Communion, Every Dawn's a Mountain was written mostly in New York after Tamino's move from Belgium, recorded in a New Orleans church, a Brussels studio and hotel rooms on tour, and produced with longtime collaborator PJ Maertens, with Eric Heigle and Alessandro Buccellati co-producing. The oud leads more than on any record he has made, laying Egyptian scales under acoustic guitar and drone. Above it all sits that voice, three octaves of it, from a graveyard low to a falsetto that evaporates on contact.\u003c\/p\u003e\n\u003cp\u003e\"My Heroine\" opens like a lullaby over softly picked guitar, \"Babylon,\" first sketched at a soundcheck for a small Italian festival held inside a medieval castle, climbs from an ethereal drone to a peak that sounds cut from stone, and \"Raven\" bends toward his grandfather's scales. \"Sanctuary\" is the event: call and response with Mitski, two voices circling the same wound from opposite sides. \"Dissolve\" stretches past seven minutes, and \"Amsterdam\" closes on a muffled train announcement, a goodbye to the city where he studied. He calls it \"the most harmonious record I've made to date.\" Here the heritage sounds like home.\u003c\/p\u003e\n\u003cp\u003eOriginal 2025 pressing on LP.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl, LP, Album. Original 2025 pressing.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e New, sealed.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tamino","offers":[{"title":"Default Title","offer_id":46595280961777,"sku":"","price":3550.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/Tamino-EveryDawnsaMountain-3000_ca1ddce1_thumbnail_4096.jpg?v=1774001590"},{"product_id":"nina-simone-i-put-a-spell-on-you","title":"I Put a Spell on You (LP)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eThe 1965 album that gave Nina Simone \"Feeling Good,\" \"Ne Me Quitte Pas\" and the title of her autobiography.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased June 1965\u003c\/strong\u003e via Philips, I Put a Spell on You was cut in New York across 1964 and 1965, produced by Hal Mooney, arranged by Mooney and Horace Ott, with Rudy Stevenson on guitar. It is the nearest Simone came to pop: lush horns and strings framing a voice that refuses to be framed. Screamin' Jay Hawkins had recorded the title track a decade earlier with an ironic leer. Simone slows it into an incantation, absolute and unhurried, and it became one of her signature recordings. \"Feeling Good,\" from the Broadway show The Roar of the Greasepaint, the Smell of the Crowd, opens on her voice alone before the band crashes in like a sunrise.\u003c\/p\u003e\n\u003cp\u003eShe sings \"Ne Me Quitte Pas\" in French, holding Brel's plea at arm's length until it breaks, and \"Beautiful Land,\" \"One September Day\" and \"Blues on Purpose\" complete the twelve songs. Simone said she chose \"heavy\" songs with \"meaningful lyrics and meaningful music,\" and the record demands that kind of listening. It reached No. 18 in the UK, the title track went to No. 28 there, and she later borrowed the title for her 1992 autobiography.\u003c\/p\u003e\n\u003cp\u003eVinyl LP.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl, LP, Album.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Nina Simone","offers":[{"title":"Default Title","offer_id":46595731882225,"sku":"","price":3300.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/Untitled_2.png?v=1773931045"},{"product_id":"mitski-the-land-is-inhospitable-and-so-are-we","title":"The Land is Inhospitable and So Are We (LP)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eMitski called it her most American album, and it gave her the first Billboard Hot 100 entry of her career.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased September 15, 2023\u003c\/strong\u003e via Dead Oceans, The Land Is Inhospitable and So Are We swaps the dramatic synths of Laurel Hell for acoustic guitar, a country twang and a 17-voice choir with strings, recorded live in the room with the band. Mitski and Drew Erickson arranged the choir and strings, and the songs open into widescreen goth-country. \"Heaven\" swoons like a ballad from an old Hollywood reel, \"When Memories Snow\" breaks over her like a storm front of strings, and \"Buffalo Replaced\" chugs with the weight of a freight train crossing the Midwest.\u003c\/p\u003e\n\u003cp\u003eIt is the warmest record she has made, and the most frightening. \"My Love Mine All Mine\" claims love as the one possession nobody can repossess, peaked at No. 26 on the Hot 100, reached the UK Top 10 and became the biggest song of her career. \"I'm Your Man\" turns devotion into a murder ballad, \"The Frost\" answers Hank Williams across seventy years of loneliness, and \"I Love Me After You\" closes the album walking toward self-acceptance with a swing in its hips. The album reached No. 12 on the Billboard 200 and No. 4 in the UK.\u003c\/p\u003e\n\u003cp\u003eOriginal 2023 Dead Oceans pressing, sealed.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl, LP, Album. Original 2023 pressing.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"MITSKI","offers":[{"title":"Default Title","offer_id":46901912305905,"sku":null,"price":3750.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/Mitski-The-Land-Is-Inhospitable.jpg?v=1773935319"},{"product_id":"kendrick-lamar-to-pimp-a-butterfly","title":"to Pimp a Butterfly (2LP)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eA 1994 interview with Tupac, pulled from a Swedish radio archive, gets the last word.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased March 15, 2015\u003c\/strong\u003e via Top Dawg Entertainment, Aftermath and Interscope, To Pimp a Butterfly is Kendrick Lamar refusing the victory lap good kid, m.A.A.d city had earned him. He hands the beats to a Los Angeles jazz-funk brain trust (Flying Lotus, Thundercat, Terrace Martin, Sounwave, Kamasi Washington's saxophone) and lets George Clinton's P-funk spirit walk through \"Wesley's Theory\" before the bass has settled. The record lurches from G-funk swagger on \"King Kunta\" to free-jazz panic on \"For Free?\" and the sobbing collapse of \"u,\" where Lamar argues with the mirror and loses.\u003c\/p\u003e\n\u003cp\u003eHolding it together is a poem he recites a few lines at a time across the album, completed only on \"Mortal Man,\" where he puts questions to Tupac Shakur using audio from a 1994 interview with Mats Nileskar of the Swedish radio show P3 Soul. \"Alright\" escaped the album and became a chant at protests across America. Lamar drew 11 Grammy nominations, the most ever for a rapper in a single night, and the record took Best Rap Album, set a Spotify first-day record of 9.6 million streams, and gets denser with every year it ages.\u003c\/p\u003e\n\u003cp\u003eDouble LP on 180g black vinyl, sealed.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e 2x12\" 180g black vinyl, 2LP, Album.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Mint, sealed.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"KENDRICK LAMAR","offers":[{"title":"Default Title","offer_id":46901982527729,"sku":null,"price":4200.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/42a5f18a-72b4-4d46-bea4-d3ef7f2d51bf_thumbnail_4096.jpg?v=1774001537"},{"product_id":"the-neighbourhood-wiped-out","title":"Wiped Out! (2LP)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eNamed for a band that felt exhausted before the first session, and rediscovered five years later on TikTok.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased October 30, 2015\u003c\/strong\u003e via Columbia, Wiped Out! was made mostly in a studio between Malibu and Santa Monica. The second half was finished at guitarist Zach Abels' mother's house, the same place the band wrote \"Sweater Weather,\" and \"Baby Came Home 2\/Valentines\" was written on the tour bus. Justyn Pilbrow and 4e produced most of it, with Benny Blanco on \"R.I.P. 2 My Youth.\" The sound is surf music played after dark, hazy R\u0026amp;B poured over California guitars: \"Prey\" moves in clipped staccato, \"Cry Baby\" is sombre and lovesick, and \"The Beach\" builds its melody slowly.\u003c\/p\u003e\n\u003cp\u003eJesse Rutherford named the record for the band's exhaustion and internal strife. Critics split, with Rolling Stone hearing \"a ponderous kind of cool\" where the debut had warmth. The audience settled the argument: \"Daddy Issues\" went viral on TikTok in late 2020, and the record aged into a cult favourite. It reached No. 13 on the Billboard 200 and gave the band their first No. 1 on Top Alternative Albums.\u003c\/p\u003e\n\u003cp\u003eDouble LP on 2x12\" black vinyl, sealed.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e 2x12\" black vinyl, 2LP, Album.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Mint, sealed.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"THE NEIGHBOURHOOD","offers":[{"title":"Default Title","offer_id":46968020697329,"sku":null,"price":3850.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/NGBHD2.png?v=1774001473"},{"product_id":"hozier-unreal-unearth-unending-1lp-companion-version-raw-ochre-vinyl-exclusive","title":"Unreal Unearth - Unending (Companion Raw Ochre Vinyl+2 CDs) (Exclusive)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eThe companion to Unreal Unearth, and home to \"Too Sweet,\" Hozier's first No. 1 in both the US and the UK.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased December 6, 2024\u003c\/strong\u003e via Island, Unreal Unearth: Unending gathers the songs that grew out of the Dante sessions and spilled across the Unheard, Unaired and Eat Your Young EPs. Several are the circles of hell that never made the album: \"Too Sweet\" for gluttony, \"Wildflower and Barley\" with Allison Russell for limbo, \"Empire Now\" for violence and \"Fare Well\" for the climb back out. \"Too Sweet\" is the sly one, a swaggering toast to staying up late against a lover who goes to bed early, and it went to No. 1 on the Billboard Hot 100 and the UK Singles Chart.\u003c\/p\u003e\n\u003cp\u003eAround it, \"That You Are\" pairs him with Bedouine, \"Nobody's Soldier\" and \"Through Me (The Flood)\" carry the album's gospel weight, 2022's \"Swan Upon Leda\" returns, and the previously unreleased \"Hymn to Virgil\" is named for Dante's guide through hell. These are the outtakes of a concept record, and they read like a second act.\u003c\/p\u003e\n\u003cp\u003eThis is the Companion Version: one Raw Ochre LP of ten tracks never before pressed to vinyl, in an expanded trifold built to hold your original Unreal Unearth alongside it. Inside sits a 2CD edition, with the sixteen album tracks on disc one and the eleven companion tracks on disc two.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl, LP, \"Raw Ochre\" coloured vinyl, expanded trifold package, with 2xCD. Limited edition, exclusive.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Hozier","offers":[{"title":"Default Title","offer_id":46968109105393,"sku":null,"price":3850.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/100000x100000bb_dbc2ec43-b989-448a-9624-d4afd8ba5fe6-2.jpg?v=1774002606"},{"product_id":"sza-sos-2lp","title":"SOS (2LP)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eThirteen weeks at No. 1 on the Billboard 200, and the album behind \"Kill Bill,\" SZA's first Hot 100 No. 1.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased December 9, 2022\u003c\/strong\u003e via Top Dawg Entertainment and RCA, SOS is SZA refusing to pick a lane five years after Ctrl. R\u0026amp;B, pop, soft rock, gospel and hip-hop all get a turn, with Ctrl collaborators ThankGod4Cody and Carter Lang alongside Babyface, Rodney Jerkins, Benny Blanco and Jay Versace. \"Kill Bill\" coils a revenge fantasy around a sly, sweetly sung melody, \"F2F\" detonates into pop-punk guitars, and \"Nobody Gets Me\" strums like a confession at 2 a.m. Phoebe Bridgers turns up on \"Ghost in the Machine,\" and the late Ol' Dirty Bastard on \"Forgiveless.\"\u003c\/p\u003e\n\u003cp\u003eThe sprawl is the point. Twenty-three songs map heartbreak, revenge and self-doubt from every angle, and the public kept listening. \"Snooze\" stayed on the Hot 100 through all of 2023, and \"Good Days,\" \"I Hate U\" and \"Nobody Gets Me\" all reached the Top 10. The album spent thirteen non-consecutive weeks at No. 1 across three years, became the first album by a woman to log 100 weeks in the Billboard 200 Top 10, and won Best Progressive R\u0026amp;B Album at the 66th Grammys from nine nominations.\u003c\/p\u003e\n\u003cp\u003e2023 original pressing on 2x12\" black vinyl, sealed.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e 2x12\" black vinyl, 2LP, Album. 2023 original pressing.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Mint, sealed.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SZA","offers":[{"title":"Default Title","offer_id":46968119329009,"sku":null,"price":3950.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/196589564931.jpg?v=1773862445"},{"product_id":"doechii-alligator-bites-never-heal-translucent-hazel-lp","title":"Alligator Bites Never Heal (Translucent Hazel LP)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eThe tape that won Best Rap Album at the 2025 Grammys, with an albino alligator named Coconut in Doechii's lap on the cover.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased August 30, 2024\u003c\/strong\u003e via Top Dawg Entertainment and Capitol, Alligator Bites Never Heal packs nineteen tracks into under forty-seven minutes. It's steeped in the sweat and humidity of Doechii's Florida: boom bap, Miami jook, soul and synth-heavy club tracks, built by close to thirty producers across studios in Los Angeles, Atlanta, Miami and Manhattan. She raps like a stand-up comic who found a pulpit. \"Nissan Altima\" struts with raunchy early-2000s Miami confidence, \"Catfish\" comes out snarling, \"Boiled Peanuts\" rides jazzy drums, and \"Bloom\" slows into bossa nova and silk.\u003c\/p\u003e\n\u003cp\u003e\"Denial Is a River\" is the centrepiece: a therapy session staged as a rap song, ending in mock hyperventilation. John Jay's cover photograph nods to Minnie Riperton's Adventures in Paradise. The tape reached No. 10 on the Billboard 200, her first Top 10, went Gold and won Best Rap Album at the 67th Grammys, the same night \"Nissan Altima\" was up for Best Rap Performance and Doechii for Best New Artist.\u003c\/p\u003e\n\u003cp\u003eTranslucent hazel vinyl, with a double-sided poster.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl, LP, translucent hazel vinyl, with double-sided poster.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DOECHII","offers":[{"title":"Default Title","offer_id":46968139219185,"sku":null,"price":3550.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/Alligator-Bites-Never-Heal-Doechii.jpg?v=1773860617"},{"product_id":"the-weeknd-hurry-up-tomorrow-1st-pressing","title":"Hurry Up Tomorrow (LP)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eThe last chapter of the trilogy that began with After Hours, and the biggest opening week of The Weeknd's career.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased January 31, 2025\u003c\/strong\u003e via XO and Republic, Hurry Up Tomorrow is Abel Tesfaye writing the ending for the persona he has worn for over a decade, closing the run of After Hours and Dawn FM. He recorded it between 2020 and January 2025 at Conway and MXM in Los Angeles and Jungle City in New York, with Mike Dean, Giorgio Moroder, Metro Boomin, Max Martin, Oneohtrix Point Never and Cirkut at the boards. The result is moody synth-pop with stranger things in the margins. \"São Paulo\" with Anitta throws him into Brazilian funk, \"Timeless\" with Playboi Carti hits like an arena rap single, and \"The Abyss\" pulls Lana Del Rey down into the dark with him.\u003c\/p\u003e\n\u003cp\u003eIt plays as a pop star auditing the damage. \"Cry for Me\" and \"Open Hearts\" swim in confession, \"Take Me Back to LA\" aches for a city he can't return to, and \"Red Terror\" closes the book. The album debuted at No. 1 on the Billboard 200 with 490,500 units, his fifth No. 1 and the largest first week of his career, and a companion feature film directed by Trey Edward Shults followed through Lionsgate.\u003c\/p\u003e\n\u003cp\u003eThis is the 2025 first-pressing LP on 12\" black vinyl: a condensed eleven-track cut of about forty-one minutes, half the length of the full 84-minute album.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e 12\" black vinyl, LP, Album. 2025 original pressing.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Mint, sealed.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Weeknd","offers":[{"title":"Default Title","offer_id":46968169693425,"sku":null,"price":3550.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/715D1PP25iL._SL1500.jpg?v=1773862601"},{"product_id":"fka-twigs-caprisongs","title":"CAPRISONGS (LP)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eFKA twigs' first mixtape, built with friends during lockdown, with their voice notes stitched between the songs.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased January 14, 2022\u003c\/strong\u003e via Young and Atlantic, CAPRISONGS is FKA twigs throwing the doors open after the dark ceremony of Magdalene. She pieced it together across 2020 and 2021, largely through remote sessions, and co-executive produced it with El Guincho, with Arca, Cirkut and Mike Dean also at the controls. It is the closest to pop she had come. \"tears in the club\" sweats out heartbreak on the dancefloor with The Weeknd, \"jealousy\" slow-winds into dancehall and Afrobeats with Rema, \"pamplemousse\" fizzes as chemical hyperpop in the lineage of Charli XCX and SOPHIE, and \"meta angel\" stacks her voice into tiny choirs.\u003c\/p\u003e\n\u003cp\u003eHer friends' chatter runs between the tracks, and \"oh my love\" ends on a pep talk telling her to stop crying over boys who don't deserve it. It's a party record about learning to be held. Critics agreed: Rolling Stone ranked it No. 8 of 2022, and Pitchfork, The Quietus and NPR Music put it on their year-end lists. 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Brian Eno's verdict: \"everyone who bought one of those 30,000 copies started a band.\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased March 1967\u003c\/strong\u003e via Verve, The Velvet Underground \u0026amp; Nico was mostly cut in about four days in April 1966 at Scepter Studios in Manhattan. John Cale remembered the floorboards torn up, the walls out and four working microphones. The band played as loud as they did live, with almost no separation between instruments, and the tape caught all of it. Cale's electric viola, strung with guitar and mandolin strings, scrapes a drone through \"Venus in Furs\" and \"The Black Angel's Death Song.\" Lou Reed's guitar is tuned to a single pitch for \"All Tomorrow's Parties.\" Moe Tucker, with no studio experience, holds the whole thing to a heartbeat. Three songs were redone at TTG in Hollywood, and Tom Wilson produced \"Sunday Morning\" at Mayfair that November. Andy Warhol is credited as producer. By most accounts his main contributions were paying for the sessions and telling Reed to keep the dirty words in.\u003c\/p\u003e\n\u003cp\u003eReed wrote about heroin, street deals, sadomasochism and sex work in plain language, and Nico's flat, accented voice turns \"Femme Fatale\" and \"I'll Be Your Mirror\" into lullabies sung in a cold room. Richard Goldstein called \"Heroin\" \"seven minutes of genuine 12-tone rock 'n' roll.\" It flopped, critics ignored it, and Rolling Stone later called it the \"most prophetic rock album ever made.\" The Library of Congress added it to the National Recording Registry in 2006, and Billboard ranked the banana cover first among the 100 best album covers in 2023.\u003c\/p\u003e\n\u003cp\u003eThis is the 45th Anniversary vinyl edition, remastered at Sterling Sound in New York under Bill Levenson and issued by Universal and Polydor in October 2012. The original came in a gatefold with Warhol's peelable banana on the front.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl, LP, Album, Remastered. 45th Anniversary Edition, 2012.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Velvet Underground","offers":[{"title":"Default Title","offer_id":46976865796337,"sku":null,"price":3750.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/61K6zK9EuGL._SL1400.jpg?v=1773858254"},{"product_id":"when-we-all-fall-asleep-where-do-we-go-billie-eilish","title":"When We All Fall Asleep, Where Do We Go? 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It opens with her slurping saliva from her Invisalign aligners and laughing, and that's the manifesto: dressed-down avant-pop, close-miked whispers over sub-bass, skittering trap beats and the odd doo-wop piano aside, horror-film detail delivered with a deadpan grin. \"bad guy\" struts on finger snaps and a sardonic \"duh\" before collapsing into a half-time coda, \"bury a friend\" throbs with muted goth-R\u0026amp;B, \"xanny\" rolls its eyes at the party, and \"when the party's over\" strips down to stacked vocals and piano. \"my strange addiction\" even samples The Office.\u003c\/p\u003e\n\u003cp\u003eIt made a bedroom sound like the biggest room in pop. The album debuted at No. 1 on the Billboard 200 with 313,000 units, and \"bad guy\" went to No. 1 around the world. At the 62nd Grammys it won Album of the Year, Best Pop Vocal Album and Best Engineered Album, \"bad guy\" took Record and Song of the Year, Eilish won Best New Artist and FINNEAS Producer of the Year. She was the first woman, and only the second artist after Christopher Cross, to win all four general-field awards in one night, and at eighteen the youngest ever winner of Album of the Year.\u003c\/p\u003e\n\u003cp\u003eCD album.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e CD, Album.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BILLIE EILISH","offers":[{"title":"Default Title","offer_id":47760296083697,"sku":null,"price":1650.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/Billie-Eilish_-_When_We_All_Fall_Asleep_Where_Do_We_Go.jpg?v=1773840007"},{"product_id":"ahwar-clear-limited-edition","title":"Ahwar (Clear LMTD Edition)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eNadah El Shazly's debut: five originals and one Sayyid Darwish cover, wading through the marshland of its title, where getting lost is the point.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased November 10, 2017\u003c\/strong\u003e via Nawa Recordings, Ahwar took two years to make and travelled between Cairo and Montreal. El Shazly composed, wrote and produced it, sharing co-composition and arrangement with Maurice Louca and Sam Shalabi of The Dwarfs of East Agouza. The Montreal side brought in players from the city's contemporary-classical and improvised music circles, most of them from Shalabi's Land of Kush ensemble. Ahwar is Arabic for marshlands, a wet terrain where you lose your bearings, and the record is built the same way.\u003c\/p\u003e\n\u003cp\u003e\"Afqid Adh-Dhakira (I Lose Memory)\" opens on mangled, filtered vocals before a bowed double bass drones its way into a drum groove, and El Shazly's voice arrives low and unhurried. Slap-back guitar twang, dissonant winds and horns, and drum fills that seem to land at random circle her lines, and the track dissolves into a soundscape eerie enough for a Giallo score. The one cover, Sayyid Darwish's \"Ana 'Ishiqt (I Once Loved),\" is stripped to broken kalimba and harp arpeggios, with a free, bowed bass improvisation threading through the gaps in Younes Al-Qadhi's early twentieth-century verses of love and betrayal. \"Koala\" drops the voice altogether for freak jazz.\u003c\/p\u003e\n\u003cp\u003eNawa's own pitch put Nico, Björk and Annette Peacock in the same room, singing in Arabic. Add Kamilya Jubran's modern reading of maqam and a grounding in acoustic avant-jazz harmony and the map is close. Eight years on, Ahwar reads as a founding text of the Cairo experimental shelf, songcraft that treats tarab and the free-improv room as one language. Thierry Amar recorded and mixed it on analogue gear at Hotel2Tango, and Harris Newman mastered it at Grey Market Mastering in Montreal.\u003c\/p\u003e\n\u003cp\u003eOriginal 2017 pressing on limited clear vinyl, with a booklet carrying the lyrics in Arabic and in English translation by Nariman Youssef. 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Fera is the Latin root of \"feral,\" and Barĩy carries the same wildness in Arabic. Louca has said the concept arrived as a feeling once the music was finished.\u003c\/p\u003e\n\u003cp\u003ePolyrhythm drives it. Khaled Yassine's drums and percussion lock into overlapping cycles, Rosa Brunello's double bass holds the floor, and Louca's custom-built microtonal guitars phrase in intervals a standard fretboard skips. Ayman Asfour's violin trades slow, languid lines with synthesizer until the arrangements open into stretches of bare acoustic beauty. \"El Taalab\" sets the pace, with Nancy Mounir's violin and theremin bending the air around it. Hazem Shaheen's oud colours \"Sahar,\" and the title track closes side B, untamed and exact at once.\u003c\/p\u003e\n\u003cp\u003eThis is Louca's most patient record, the trance logic of Elephantine carried into a room of acoustic instruments where every player can be heard thinking. Produced by Louca and Adham Zidan, mixed by Zidan, mastered by Harris Newman at Grey Market Mastering.\u003c\/p\u003e\n\u003cp\u003eOriginal 2025 pressing on black vinyl, with a printed inner sleeve carrying Maha Maamoun's artwork: Decalcomania ink transfers that coax dreamlike natural forms out of chance, woven with residue photographed from the 6,000-year-old rock paintings at the Cave of Swimmers in Gilf Kebir, on the Egypt-Libya border. Typography and design by Hussein Nassereddine.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl, LP, Album, 12\" black vinyl, printed inner sleeve. 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In 2017, young Palestinian producers and DJs moved into a shared house in Ramallah for two weeks and built original tracks out of that library, every one of them sampling the archive.\u003c\/p\u003e\n\u003cp\u003eIt sounds like a village wedding remembered through a club PA. Muqata'a opens with \"Uru Salem,\" cutting Mehdi Haddab's electric oud and Walaa Sbait's voice against a grinding beat. Julmud folds Sbait into \"Hadoo,\" Al Nather brings BLTNM's Shabjdeed onto \"Yabnel 'Am,\" and Bruno Cruz sends \"Algeriasteen\" west across the Maghreb. Nasser Halahlih, a pioneer of the 2000s electronic scene, delivers \"We Palestinians,\" and SAMA' closes with \"Trinity.\" Produced by Rashid Abdelhamid with artistic direction by Sama' Abdulhadi, supported by the Popular Art Centre and the A.M. 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Original 2020 pressing.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e New, sealed.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Various Artists","offers":[{"title":"Default Title","offer_id":47769309937905,"sku":null,"price":2850.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/8099338.jpg?v=1773923586"},{"product_id":"jeff-buckley-grace-lp","title":"Grace (LP)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eThe only studio album Jeff Buckley finished, and the reason a Leonard Cohen song became a hymn for people who never owned a Cohen record.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased August 23, 1994\u003c\/strong\u003e via Columbia, Grace was cut at Bearsville in Woodstock in the fall of 1993, produced by Buckley with Andy Wallace, the engineer who had mixed Nirvana's Nevermind. The band is lean, Mick Grondahl on bass and Matt Johnson on drums, with Gary Lucas's guitar ghosting through \"Mojo Pin\" and the title track and Karl Berger's strings drawn in around the edges. Inside that frame Buckley goes everywhere. His voice floats choirboy-high over the quiet passages and tears into a howl when the songs crest, and his finger-picked guitar carries as much melody as the singing.\u003c\/p\u003e\n\u003cp\u003eThe record swings from the torch song \"Lilac Wine\" to Benjamin Britten's \"Corpus Christi Carol\" to the hard-rock lurch of \"Eternal Life.\" \"Hallelujah,\" built on John Cale's reading of the Cohen song, sung alone and edited together from more than twenty takes, is the track that outlived everyone's expectations, his included. \"Last Goodbye\" and \"Lover, You Should've Come Over\" are where the songwriter shows, all switchback chord changes and wounded patience. Buckley drowned in Memphis's Wolf River Harbor in May 1997, at thirty, with his second album unfinished, and Grace became the whole story. It sold 500,000 copies in its first year, short of what Columbia hoped for, and went Platinum in the US only in 2016.\u003c\/p\u003e\n\u003cp\u003eThis copy is on 12-inch black vinyl, graded Near Mint for disc and sleeve, unsealed.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e 12\" black vinyl.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Near Mint, unsealed.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jeff Buckley","offers":[{"title":"Default Title","offer_id":48227774857457,"sku":null,"price":2950.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/712S-LA619L._AC_SL1400.jpg?v=1780074346"},{"product_id":"red-hot-chili-peppers-californication-lp","title":"Californication (2LP)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Frusciante came back from addiction in 1998, played less, and helped make the band's biggest record.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased June 8, 1999\u003c\/strong\u003e via Warner Bros., Californication is the Red Hot Chili Peppers learning to leave space. Frusciante rejoined at Flea's insistence after heroin and cocaine had nearly destroyed him, and he came back playing with startling economy: two widely spaced notes carrying the rhythm of \"Scar Tissue\" before a weeping slide solo, a 16-second delay drowning \"Savior,\" a deliberately understated solo on \"Get on Top.\" Rick Rubin produced at Cello Studios in Los Angeles, and Anthony Kiedis traded much of the old funk bluster for melody, nostalgia and the sunburnt melancholy of the title track.\u003c\/p\u003e\n\u003cp\u003eRolling Stone's Greg Tate wrote that the album \"dares to be spiritual and epiphanic,\" while NME and Pitchfork missed the funk. \"Scar Tissue\" won a Grammy and led five singles, \"Around the World\" and \"Otherside\" among them, and the album sold more than 17 million copies. It also became a textbook case of the loudness war: the original CD master was criticised for heavy compression and distortion, and fans petitioned Warner Bros. to remaster it.\u003c\/p\u003e\n\u003cp\u003eVinyl is where the record gets to breathe. This double LP is cut from the 2012 vinyl master by Chris Bellman at Bernie Grundman Mastering, a new master that opens up the dynamics the brick-walled CD flattened, and it carries mixes the CD never had: organ under the first verse of the title track, a single pass through its first chorus, and backing vocals over the solo on \"Savior.\" Fifteen songs across four sides, new and sealed.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e 2x12\" black vinyl.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e New, sealed.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Red Hot Chili Peppers","offers":[{"title":"Default Title","offer_id":48228134224113,"sku":null,"price":3550.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/81ZGf4xcETL._SL1425.jpg?v=1780082649"},{"product_id":"tyler-the-creator-chromakopia-white-lp","title":"CHROMAKOPIA (White 2LP)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eNarrated by Tyler's mother, built around an unplanned pregnancy, and there is no baby.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased October 28, 2024\u003c\/strong\u003e via Columbia, CHROMAKOPIA is Tyler, the Creator writing, producing and arranging his eighth album almost entirely alone, and stacking it for arenas. Military cadences march through it. \"Sticky\" erupts with an anarchic choir, Clipse-style drums and horns lifted from Young Buck's \"Get Buck.\" \"Noid\" builds on \"Nizakupanga Ngozi,\" a 1977 Zamrock track by the Ngozi Family, and \"Judge Judy\" sounds like a Burt Bacharach record left out in the sun to warp.\u003c\/p\u003e\n\u003cp\u003eHis mother, Bonita Smith, works as a Greek chorus, opening the album and delivering a raw confession of her own on \"Like Him,\" a song about the father Tyler never knew and the fear of becoming him. Fame, paranoia and fatherhood circle a man of 33 who still raps with a hungry kid's appetite. Doechii, Lil Wayne and Lola Young are among the guests, and Playboi Carti appears on the physical editions only. It debuted at No. 1 on the Billboard 200 with 299,000 units in a partial first week, won the Grammy for Best Album Cover and was nominated for Album of the Year and Best Rap Album.\u003c\/p\u003e\n\u003cp\u003eThis is the 2025 opaque white edition on 2x12\" vinyl, new and sealed.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl, 2LP, Album, opaque white vinyl. 2025 edition.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e New, sealed.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tyler, the Creator","offers":[{"title":"Default Title","offer_id":48229887803633,"sku":null,"price":3950.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/Tyler__The_Creator_-_Chromakopia_-_2025_webp.jpg?v=1780176777"},{"product_id":"david-gilmour-luck-and-strange-lp","title":"Luck and Strange (LP)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eGilmour chose a producer for his \"wonderful lack of knowledge or respect for this past of mine.\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased September 6, 2024\u003c\/strong\u003e via Sony Music, Luck and Strange is David Gilmour's first solo album in nine years, co-produced with Charlie Andrew at Medina Studio in Hove and Mark Knopfler's British Grove in London, with most of the lyrics by Polly Samson. The guitar tone is unmistakable, long bending notes that hang in the air past their own decay, and Andrew's irreverence loosens everything around it.\u003c\/p\u003e\n\u003cp\u003eThe title track grew out of a 2007 jam in Gilmour's barn with Richard Wright, who died the following year, and his keyboards drift through it like a presence in the next room. \"Between Two Points,\" a 1999 song by the Montgolfier Brothers, hands lead vocal and harp to Gilmour's daughter Romany, and \"The Piper's Call\" drew comparisons to early Pink Floyd. The record dwells on age and mortality with the calm of someone who has made peace with both. It entered the UK chart at No. 1, his third solo No. 1, and Gilmour said he felt it was his best work since The Dark Side of the Moon.\u003c\/p\u003e\n\u003cp\u003eThis is the 2024 European black vinyl pressing, cut at half speed at Abbey Road by Miles Showell, in a gatefold with photography and design by Anton Corbijn and an LP-size booklet.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl, LP, Album, black vinyl, half-speed mastered, gatefold with booklet. EU, 2024.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Near Mint, unsealed.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"David Gilmour","offers":[{"title":"Default Title","offer_id":48314550780145,"sku":null,"price":3300.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/davidgilmourluckandstrangefront.jpg?v=1781403100"},{"product_id":"nina-simone-i-love-to-love-lp","title":"I Love to Love: An EP Selection (LP)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eFourteen early sides from four of Nina Simone's EPs, with \"My Baby Just Cares for Me\" at the centre.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased October 6, 2017\u003c\/strong\u003e via Vinyl Passion, I Love to Love: An EP Selection gathers fourteen tracks Nina Simone first issued across four early EPs, cut using DMM and pressed to a single 180g LP. Side A opens with four songs from the I Love to Love EP on Colpix, \"Forbidden Fruit\" and \"Rags and Old Iron\" among them, and three from The Intimate Nina Simone on Parlophone, including \"He's Got the Whole World in His Hands\" and \"African Mailman.\" Side B carries three tracks from the My Baby Just Cares for Me EP, then four from Jazz As Played in an Exclusive Side Street Club on Bethlehem, the label that issued her debut album.\u003c\/p\u003e\n\u003cp\u003eThis is Simone before the protest songs: a conservatory-trained pianist working through a jazz club's book. She threads Bach-style counterpoint through \"Love Me or Leave Me,\" lets her voice settle dark and unhurried on \"I Loves You Porgy,\" her first US Top 20 hit, and swings through Tadd Dameron's instrumental \"Good Bait.\" \"My Baby Just Cares for Me,\" first cut in 1957, found a second life in 1987, when a Chanel No. 5 commercial sent it into the UK Top 5 and made it permanent.\u003c\/p\u003e\n\u003cp\u003eEuropean 180g pressing, catalogue VP 90022, graded Near Mint, unsealed.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl, LP, Compilation, 180g. Europe, 2017.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Near Mint, unsealed.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Nina Simone","offers":[{"title":"Default Title","offer_id":48314629619953,"sku":null,"price":2650.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/cl7-4n_82004677_thumbnail_4096.jpg?v=1781406590"},{"product_id":"radiohead-pablo-honey-lp","title":"Pablo Honey (LP)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003e\"Creep\" sold about 6,000 copies and stalled at No. 78. American alternative radio brought it back.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased February 22, 1993\u003c\/strong\u003e via Parlophone, Pablo Honey is Radiohead before they learned what to distrust. Producers Sean Slade and Paul Q. Kolderie, who had worked with Pixies and Dinosaur Jr, set up at Chipping Norton in Oxfordshire for three weeks in 1992 and caught a three-guitar band playing to the back row: Jonny Greenwood's Telecaster, Thom Yorke's SG and Ed O'Brien's Rickenbacker, recorded bone-dry with no reverb because the band wanted the punch of an early Beatles single.\u003c\/p\u003e\n\u003cp\u003eIts most famous moment is an act of sabotage. Greenwood disliked \"Creep\" and tried to spoil it with three blasts of dead-note noise in front of the chorus, and those blasts became the hook. The single flopped in September 1992. By Christmas, San Francisco's KITS had made it the station's most-requested song, Los Angeles's KROQ followed, and the 1993 reissue went to No. 7 in the UK. Around it, the record is loud, earnest and unusually tuneful. \"Anyone Can Play Guitar\" opens with guitar parts played by non-musicians, a janitor and a chef among them, and \"Stop Whispering\" and \"Blow Out\" sketch the band that made The Bends two years later. The album peaked at No. 22 in the UK and No. 32 in the US, and has since gone double Platinum in Britain.\u003c\/p\u003e\n\u003cp\u003eThis is the 2016 XL Recordings repress, catalogue XLLP779, pressed by Optimal Media on black vinyl with a colour printed inner sleeve and download card. It corrects the misprints on the 2013 reissue.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl, LP, Album, Reissue, black vinyl, colour printed inner sleeve, download card. XL Recordings, 2016.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Near Mint, unsealed.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Radiohead","offers":[{"title":"Default Title","offer_id":48314658586865,"sku":null,"price":2750.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/radiohead1.jpg?v=1781408304"},{"product_id":"sting-ten-summoners-tales-lp","title":"Ten Summoner's Tales (LP)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eThe title smuggles Sting's real surname, Sumner, into Chaucer's Canterbury Tales.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased March 1, 1993\u003c\/strong\u003e via A\u0026amp;M, Ten Summoner's Tales was recorded from June to December 1992 at Lake House, Sting's estate in Wiltshire, with Hugh Padgham co-producing. It sounds like a session band showing off without raising its voice. Dominic Miller plays nylon-string guitar across the whole record, Vinnie Colaiuta lays \"Seven Days\" down in 5\/4 so smoothly the meter only registers when you try to count it, and \"Love Is Stronger Than Justice (The Munificent Seven)\" gallops through a Western pastiche in 7\/4.\u003c\/p\u003e\n\u003cp\u003e\"If I Ever Lose My Faith in You\" opens with one of his sharpest hooks and reached No. 17 in the US. \"Fields of Gold\" became a standard for everyone from wedding bands to Eva Cassidy, and \"Shape of My Heart,\" co-written with Miller around his guitar figure, closed Léon: The Professional the following year. This is a former new-wave frontman settling into craftsmanship, and the craft is the pleasure. The album reached No. 2 in the UK and the US and won three Grammys from six nominations.\u003c\/p\u003e\n\u003cp\u003eThis is the 2016 A\u0026amp;M 180g reissue, pressed at Optimal Media in Germany with lacquers cut at Abbey Road and mastering by Bob Ludwig, with a printed colour lyric sheet.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl, LP, Album, Reissue, 180g, printed colour lyric sheet. Germany, 2016.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Near Mint, unsealed.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sting","offers":[{"title":"Default Title","offer_id":48319619399921,"sku":"MCG-VNL-STI-TST-001","price":2750.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/0731454007511.jpg?v=1781584603"},{"product_id":"evanescence-the-open-door-cd","title":"The Open Door (CD)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eIts co-writer had a stroke partway through recording and had to retrain his hand. The album still debuted at No. 1.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased October 3, 2006\u003c\/strong\u003e via Wind-up, The Open Door is Amy Lee taking the wheel. With Ben Moody gone, she wrote most of it with guitarist Terry Balsamo, and with Dave Fortman producing at the Record Plant she pushed the band's gothic theatre as far as it would go. David Campbell's orchestral arrangements and Lee's own choral writing, recorded in an old chapel near Seattle, wrap the guitars in velvet and incense. \"Lacrymosa\" is built on the Lacrimosa from Mozart's Requiem, her favourite piece of music, and sounds like a cathedral collapsing in slow motion.\u003c\/p\u003e\n\u003cp\u003eThis is Lee's record in every sense. \"Call Me When You're Sober\" bites back at an ex with a sneer and a chorus that went Top 10, \"Sweet Sacrifice\" opens the album with riffs like a slammed door and earned a Grammy nomination, and \"Lithium\" sinks into its own melancholy. The Los Angeles Times heard \"personal confession, high theater and head-banging rock,\" and The Independent heard bombast. Both were right, and the tension between them is the appeal. 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Goyer. He grounds the origin in fear, training and Gotham's rot: Bruce Wayne's grief, his apprenticeship under Liam Neeson's Ducard at a monastery in Bhutan, shot on Iceland's Vatnajökull glacier, and a city run by Tom Wilkinson's Falcone and poisoned by Cillian Murphy's Scarecrow. Christian Bale wears the cowl, with Michael Caine's Alfred, Gary Oldman's Jim Gordon, Morgan Freeman's Lucius Fox and Katie Holmes.\u003c\/p\u003e\n\u003cp\u003eWally Pfister shot it on film and earned its only Oscar nomination, for Best Cinematography. Hans Zimmer and James Newton Howard built the score on low, churning ostinatos and a two-note motif where a hummable hero theme would usually sit. Gotham was built mostly in England, at Shepperton and around London, with Chicago for the streets. Roger Ebert gave it four stars.\u003c\/p\u003e\n\u003cp\u003eIt grossed $375.6 million worldwide and opened the Dark Knight trilogy, the chapter that did the hardest work: making the character plausible.\u003c\/p\u003e\n\u003cp\u003eTwo-Disc Special Edition, the film on disc one and the full package of making-of featurettes on disc two.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e DVD, 2-disc Special Edition, Warner Home Video.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent, used. Discs and case clean.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warner Bros.","offers":[{"title":"Default Title","offer_id":48369275928817,"sku":null,"price":800.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/BATMAN-BEGINS-_mad_city_grooves.png?v=1792373589"},{"product_id":"madonna-the-immaculate-collection-cd","title":"The Immaculate Collection (CD)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eThe first album ever mixed in QSound, and the first Christmas No. 1 album in the UK by a woman.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased November 12, 1990\u003c\/strong\u003e via Sire, The Immaculate Collection packs Madonna's first decade into seventeen tracks. Fifteen hits, from \"Holiday\" and \"Lucky Star\" through \"Like a Prayer\" and \"Vogue,\" were reworked by Shep Pettibone in QSound, and two new songs, \"Justify My Love\" and \"Rescue Me,\" were added to the end. Pettibone trimmed the hits to fit, which purists have never forgiven, and gave them a three-dimensional sheen that turns the collection into one continuous dancefloor. \"Justify My Love\" is the provocation: a whispered crawl over a borrowed breakbeat, produced by Lenny Kravitz, with Ingrid Chavez later winning a co-writing credit.\u003c\/p\u003e\n\u003cp\u003eRobert Christgau called it \"the greatest album of [Madonna's] mortal life,\" and the market agreed. It spent nine weeks at No. 1 in the UK, has sold more than 30 million copies worldwide, and stands as the best-selling compilation by a solo artist. It is the 1980s made as a single argument, by the woman who won the decade.\u003c\/p\u003e\n\u003cp\u003eCD compilation, graded Near Mint, unsealed.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e CD, compilation.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Near Mint, unsealed.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Madonna","offers":[{"title":"Default Title","offer_id":48383466963185,"sku":null,"price":800.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/madonna.png?v=1785032912"},{"product_id":"red-hot-chili-peppers-mothers-milk-cd","title":"Mother's Milk (CD)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eThe first record with John Frusciante and Chad Smith, made in the wake of Hillel Slovak's death.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased August 16, 1989\u003c\/strong\u003e via EMI, Mother's Milk rebuilt the Red Hot Chili Peppers after Slovak's overdose and Jack Irons' departure. Frusciante and Smith stepped in, and producer Michael Beinhorn pushed for a heavy, layered guitar wall that Frusciante fought as too \"macho.\" The result is funk metal at full stretch. \"Higher Ground\" slams Stevie Wonder's original into a slap-bass stampede and became their first real hit, \"Taste the Pain\" brings in Flea on trumpet and Fishbone's Fish on drums, and \"Fire\" keeps a Hendrix cover cut with Slovak and Irons before the losses.\u003c\/p\u003e\n\u003cp\u003e\"Knock Me Down\" is the heart of it, a song that looks straight at Slovak's death and the drugs that caused it. Christgau thought the band didn't yet have the chops for the guitar layering, AllMusic called it pivotal, and both are audible: this is the band that made Blood Sugar Sex Magik learning to walk. It reached No. 52 on the Billboard 200, became their first Gold album and has since gone Platinum, and \"Higher Ground\" reached No. 11 on Modern Rock Tracks.\u003c\/p\u003e\n\u003cp\u003eCD album, graded Near Mint, unsealed.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e CD, album.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Near Mint, unsealed.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Red Hot Chili Peppers","offers":[{"title":"Default Title","offer_id":48383467684081,"sku":null,"price":800.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/7131y4Jsd6L._AC_SL1500.jpg?v=1785032467"},{"product_id":"billy-idol-cyberpunk-cd","title":"Cyberpunk (CD)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded on a home Macintosh and promoted with a floppy-disk press kit, an industry first.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased June 28, 1993\u003c\/strong\u003e via Chrysalis, Cyberpunk is Billy Idol trying to jack into the future. It's a concept album built on William Gibson's Neuromancer and Gareth Branwyn's writing, recorded mostly at his Los Angeles home studio on a Macintosh running Pro Tools, with Robin Hancock producing and Mark Frauenfelder designing the art. Industrial clatter, sampled voices and untitled interludes stitch twenty tracks into a cyber-opera. \"Shock to the System\" was rewritten after the 1992 Los Angeles riots, \"Neuromancer\" borrows Gibson's title outright, and \"Heroin\" drags the Velvet Underground into the techno age.\u003c\/p\u003e\n\u003cp\u003eCritics hated it. AllMusic called the \"Heroin\" cover one of the worst ever recorded, and Q later ranked the album among the 50 worst. Online cyberculture called it co-optation, and Gibson said Idol had \"turned it into something very silly.\" It debuted at No. 48 and vanished. Three decades on, it reads as a time capsule from the morning the future arrived, and Parke Puterbaugh suggested it may have been \"ahead of its time.\" This store's aesthetic owes it a small debt.\u003c\/p\u003e\n\u003cp\u003eCD album, graded Near Mint, unsealed.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e CD, album.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Near Mint, unsealed.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Billy Idol","offers":[{"title":"Default Title","offer_id":48383468372209,"sku":null,"price":800.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/a3xnm51663932572.jpg?v=1784900523"},{"product_id":"george-michael-faith-cd","title":"Faith (CD)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eFour US No. 1 singles from one album, something no other British male solo artist has done.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased October 30, 1987\u003c\/strong\u003e via Columbia in the US and Epic in the UK, Faith is George Michael writing and producing almost every track himself, recorded mostly at Puk Studios near Randers in Denmark and finished at Sarm West in London. It is pop wired to R\u0026amp;B, funk and soul. \"Faith\" opens on church organ before a Bo Diddley guitar shuffle takes over, \"Father Figure\" slow-burns like gospel in the dark, \"I Want Your Sex\" pulses on minimal funk, \"Monkey\" snaps on drum machines, and \"Kissing a Fool\" closes as a smoky jazz ballad.\u003c\/p\u003e\n\u003cp\u003eThis is the record where George Michael left Wham!'s teen pop behind and wrote for adults. \"Faith,\" \"Father Figure,\" \"One More Try\" and \"Monkey\" all went to No. 1 on the Hot 100, and it became the first album by a white solo artist to top Billboard's Top Black Albums chart. It won Album of the Year at the 1989 Grammys and has sold more than 25 million copies.\u003c\/p\u003e\n\u003cp\u003eCD album, graded Near Mint, unsealed.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e CD, album.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Near Mint, unsealed.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"George Michael","offers":[{"title":"Default Title","offer_id":48383468437745,"sku":null,"price":700.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/0886978565020.jpg?v=1785031871"},{"product_id":"prince-and-the-new-power-generation-diamonds-and-pearls-cd","title":"Diamonds and Pearls (CD)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eThe album behind \"Cream,\" Prince's last No. 1 on the Billboard Hot 100, first sold in a holographic cover.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased October 1, 1991\u003c\/strong\u003e via Paisley Park and Warner Bros., Diamonds and Pearls is the first album Prince credited to the New Power Generation, recorded between July 1990 and May 1991 at Paisley Park in Chanhassen, Olympic in London and Larrabee in North Hollywood. With a full band behind him again, he swings from hard funk to glossy pop-rock, with hip-hop worked into the drums. Rosie Gaines's gospel-sized voice trades lines with his, and Tony M raps across half the record. \"Gett Off\" is the filthiest funk he put on a major single, \"Cream\" struts with a wink all the way to No. 1, the title track, a duet with Gaines, climbed to No. 3, and \"Money Don't Matter 2 Night\" is a quiet, sharp song about money and conscience.\u003c\/p\u003e\n\u003cp\u003eIt was his last true blockbuster, made by a man who had decided he needed a band again. The album reached No. 3 on the Billboard 200, topped the R\u0026amp;B albums chart, reached No. 2 in the UK, went double Platinum in the US and triple Platinum in the UK, and sold around seven million copies worldwide.\u003c\/p\u003e\n\u003cp\u003eCD album, graded Near Mint, unsealed.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e CD, Album.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Near Mint, unsealed.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prince and the New Power Generation","offers":[{"title":"Default Title","offer_id":48383468994801,"sku":null,"price":700.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/71k3I5KZBwL._SL1500.jpg?v=1785031421"},{"product_id":"billie-eilish-dont-smile-at-me-clear-lp","title":"Don't Smile at Me (Crystal Clear BioVinyl LP)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eThe debut EP that grew out of \"Ocean Eyes,\" a song first posted online in 2015.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased August 11, 2017\u003c\/strong\u003e via Darkroom and Interscope, Don't Smile at Me is Billie Eilish at fifteen, written with her brother Finneas and recorded in his bedroom. It lays down the blueprint in eight songs: whispered vocals pushed against heavy bass, adolescent menace in one hand and raw tenderness in the other. \"Ocean Eyes,\" Finneas's song first posted online in November 2015, floats like a crush caught on tape. \"COPYCAT\" opens with a sneer, \"Bellyache\" sets a confession of violence to a breezy guitar strum, \"idontwannabeyouanymore\" slows into a jazz-tinged ballad of self-loathing, and \"Hostage\" closes at its most unsettling and tender.\u003c\/p\u003e\n\u003cp\u003ePlugged In called it \"dreamy and depressing, enchanting and haunting,\" and every move Eilish made next is already here in miniature. It reached No. 14 on the Billboard 200 and No. 12 in the UK, went Platinum in the US, and \"Bellyache\" alone went double Platinum.\u003c\/p\u003e\n\u003cp\u003eThis is the limited crystal clear edition, the first international pressing in clear, on BioVinyl, which replaces the petroleum in standard vinyl with used cooking oil and waste gases. The packaging is FSC-certified recycled board printed with plant-based inks.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e 12\" crystal clear BioVinyl, limited edition.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e New, sealed.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BILLIE EILISH","offers":[{"title":"Default Title","offer_id":48453194023153,"sku":null,"price":3950.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/billie6.png?v=1785310112"},{"product_id":"michael-jackson-dangerous-2lp","title":"Dangerous (2LP)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eThe record that hired Teddy Riley, swapped Quincy Jones for new jack swing, and held No. 1 with \"Black or White\" for seven weeks.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased November 26, 1991\u003c\/strong\u003e via Epic, Dangerous is Michael Jackson's first solo album without Quincy Jones since 1975's Forever, Michael. He hired Teddy Riley, the architect of new jack swing, to co-produce half of it, with Bill Bottrell on the rock-leaning tracks, and the sound hardens accordingly. Swingbeat drums crack like a whip on \"Jam,\" with Heavy D rapping. Industrial clank rattles the title track. Slash tears a solo through \"Give In to Me,\" and \"Will You Be There\" swells into full gospel. Jackson wrote all but two of its fourteen songs.\u003c\/p\u003e\n\u003cp\u003ePitchfork's Jeff Weiss called it \"Jackson's final classic album and the best full-length of the New Jack Swing era.\" \"Black or White\" topped the Hot 100 for seven weeks, and \"Remember the Time,\" \"In the Closet\" and \"Will You Be There\" all went Top 10. The album has sold more than 32 million copies and won the Grammy for Best Engineered Album, which went to Riley and Bruce Swedien. It is engineered down to the hi-hat, and that detail is exactly why it belongs on vinyl.\u003c\/p\u003e\n\u003cp\u003eEU reissue on double 180g black vinyl.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e 2x12\" 180g black vinyl, EU reissue.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e New, sealed.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Michael Jackson","offers":[{"title":"Default Title","offer_id":48471300079857,"sku":null,"price":4100.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/MICHAEL_JACKSON_Dangerous_DOUBLE_VINYLE_0888751209312_ad21cfca-dabe-4125-9776-f495a9002f0e.jpg?v=1785787211"},{"product_id":"michael-jackson-bad-lp","title":"Bad (LP)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eThe first album to send five singles to No. 1 on the Billboard Hot 100.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased August 31, 1987\u003c\/strong\u003e via Epic, Bad is the follow-up to the best-selling album ever made, and the last Michael Jackson record Quincy Jones produced. Jackson wrote all but two of its songs and spent two years chasing a goal he kept written on his mirror: 100 million copies. Jones called his production philosophy \"an outhouse bottom with a penthouse view,\" and here the bottom is mostly synthesizer. More than half the low end is synth bass, and the backing vocals stack sevenths, ninths and elevenths into harmonies that sound like chrome.\u003c\/p\u003e\n\u003cp\u003e\"I Just Can't Stop Loving You,\" a duet with Siedah Garrett, \"Bad,\" \"The Way You Make Me Feel,\" \"Man in the Mirror\" and \"Dirty Diana\" all went to No. 1. \"Smooth Criminal\" became the anti-gravity lean and one of the most imitated performances in pop. This is where Jackson's control tightened into aggression: funk pushed into rock, vocals at their most percussive. It sold more than 35 million copies and launched a world tour that ran sixteen months.\u003c\/p\u003e\n\u003cp\u003eEU reissue on 12\" 180g black vinyl.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e 12\" 180g black vinyl, EU reissue.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e New, sealed.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Michael Jackson","offers":[{"title":"Default Title","offer_id":48474998636785,"sku":null,"price":3750.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/717IE87d0dL._SL1500.jpg?v=1785849099"},{"product_id":"michael-jackson-number-ones-red-2lp","title":"Number Ones (Limited Red 2LP Edition)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eFour decades of Michael Jackson's chart-toppers, closing on the last original single released in his lifetime.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased November 18, 2003\u003c\/strong\u003e via Epic, Number Ones runs Michael Jackson's career as a single sequence of peaks across eighteen tracks. It opens with the Off the Wall disco of \"Don't Stop 'Til You Get Enough\" and \"Rock with You,\" moves through the Thriller trinity of \"Billie Jean,\" \"Beat It\" and \"Thriller,\" and runs the Bad years from \"The Way You Make Me Feel\" to \"Smooth Criminal.\" The Sony era follows: \"Black or White,\" \"You Are Not Alone,\" \"Earth Song,\" \"Blood on the Dance Floor\" and \"You Rock My World.\"\u003c\/p\u003e\n\u003cp\u003eThe sequencing traces a voice moving from the falsetto glide of 1979 to the clipped, percussive snarl of the 1990s within four sides. It closes with \"One More Chance,\" the final original single released in his lifetime.\u003c\/p\u003e\n\u003cp\u003e2026 EU limited edition on double solid red vinyl, in a gatefold sleeve.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e 2x12\" solid red vinyl, gatefold, limited edition (2026, Epic \/ Sony Music, 19958410701).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e New, sealed.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Michael Jackson","offers":[{"title":"Default Title","offer_id":48475028848881,"sku":null,"price":4400.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/3-michael-jackson-number-ones-limited-red-vinyl-edition.webp?v=1785851042"},{"product_id":"toni-geitani-wahj-cassette","title":"Wahj","description":"\u003cblockquote\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eOne exclusive copy in Egypt, out of 50 pressed worldwide.\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eReleased January 30, 2026\u003c\/strong\u003e, self-released: the second full-length from Toni Geitani, born in Beirut, working out of Amsterdam as a composer, sound designer, and filmmaker. Seventy-five minutes across seventeen tracks, recorded between 2021 and 2025, funded by Culture Resource and Amarte Fonds. The film background shows in how the record is cut. Scenes hold longer than comfort allows, then break.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eWahj (وهج, radiance) treats collapse as a condition people live inside for years, and listens for what keeps moving in the aftermath. Layālī vocal lines run through processed cello and oboe. Regional samples are stripped for parts and rebuilt into rhythms that refuse the grid. Synthesizers carry the mass, thickening to industrial weight, thinning to almost nothing, then opening in the last minutes of closer \"Madda Mudadda\" into a wall of heat that reads as ruin and as whatever grows after it.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eReeda Fneiche wrote three of the lyrics and sings on \"Tuyoor.\" Nia Ralinova on cello, Ainhoa Pérez Etxepare on oboe, violas from Giulia Wechsler and Bea Alvarez Borque, voice from Diana Kantner, bass from Arin Keshishi. Mixed by Joe Lirenti between Suzano and São Paulo, mastered by Adam Haggar at Mount Olympia Mastering in New Jersey, artwork and design by Ali Hassan.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Cassette, limited edition, one copy out of 50 worldwide, with lyrics insert,\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e New, unsealed.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Toni Geitani","offers":[{"title":"Default Title","offer_id":48730304020721,"sku":null,"price":1850.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/0042581540_10.jpg?v=1789135074"},{"product_id":"yes-keys-to-ascension-2-2cd","title":"Keys to Ascension 2 (2CD)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eThe classic Yes five in the studio for the last time, with an eighteen-minute epic to prove they still could.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased 3 November 1997\u003c\/strong\u003e via Essential! Records, Keys to Ascension 2 splits in two. Disc one is live, six pieces recorded across three nights, 4 to 6 March 1996, at the Fremont Theater in San Luis Obispo. Disc two is new studio material cut at Yesworld Studio in the same town. Jon Anderson, Chris Squire, Steve Howe, Rick Wakeman and Alan White: it is Wakeman's final studio album with the band, and he left before the North American tour planned for June 1997, which was cancelled.\u003c\/p\u003e\n\u003cp\u003eDisc one runs \"Close to the Edge\" at its full nineteen minutes and forty seconds, alongside \"And You and I,\" \"Turn of the Century\" and \"Going for the One,\" played by a band that had spent more than twenty years learning what these pieces could hold. Disc two is the reason collectors chase this set. \"Mind Drive\" runs eighteen and a half minutes, grown from material first rehearsed by XYZ, the short-lived 1981 project of Squire, White and Jimmy Page, and it stands as the last long-form composition the classic five finished together. \"Children of Light\" reworks an Anderson and Vangelis piece, and the Howe and Wakeman instrumental \"Sign Language\" closes the set.\u003c\/p\u003e\n\u003cp\u003eIt is the sound of a band reaching back for its 1970s scale and, for eighteen minutes, getting there. Produced by Billy Sherwood with the band, recorded and mixed by Sherwood at The Office in Van Nuys, mastered by Joe Gastwirt at Ocean View Digital Mastering. Roger Dean supplied the paintings, logo and lettering, with packaging design by Martyn Dean and booklet photography by the Gottlieb Bros. 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It splits in two: introspective piano ballads up front, lo-fi DIY sketches on the back. The whole thing plays like pages torn from a notebook at three in the morning, grief, devotion and exhaustion sung close enough to the microphone to fog it.\u003c\/p\u003e\n\u003cp\u003e\"Glimpse of Us\" carried it: a bare piano ballad about measuring a new love against a lost one, which spread across the internet in the summer of 2022, climbed into the Hot 100 Top 10 and topped the charts in Australia and New Zealand. \"Die for You\" and \"Dissolve\" push the same ache through synths and reverb, \"Night Rider\" and \"Blahblahblah Demo\" keep the grit of his earliest work, and \"1AM Freestyle\" closes on a sketch left deliberately raw. The man who once made comedy as Filthy Frank writes heartbreak here with no punchline at all. 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Robert Del Naja, Grant Marshall and Andrew Vowles, with Tricky trading lines among them, built it in Bristol out of sound-system culture: dub's cavernous low end, crate-dug breakbeats and borrowed soul, all moving at a tempo that commits to nothing and loses none of its menace. The press later filed it as the first trip-hop record, a tag that explains less than the bassline on \"Safe from Harm.\"\u003c\/p\u003e\n\u003cp\u003eShara Nelson carries \"Safe from Harm\" with cool, clipped defiance and breaks wide open on \"Unfinished Sympathy,\" where Wil Malone's string arrangement, recorded at Abbey Road, swells around her until the track sounds like a whole city at dusk. Horace Andy's high, trembling tenor brings Jamaican roots singing to \"One Love,\" \"Five Man Army\" and \"Hymn of the Big Wheel,\" and Tricky's murmured verses surface four years before his own records went darker. 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It was cut at Condulmer near Venice, Ridge Farm in Surrey, The Hit Factory in London and Image Recording in Los Angeles, produced by the band with Mike Pela. Sade Adu, Stuart Matthewman, Andrew Hale and Paul Denman strip the arrangements down to bass, muted guitar and open space. \"No Ordinary Love\" moves on a slow, heavy bass line, ran through Indecent Proposal and won a Grammy. \"Cherish the Day\" spaces its snare hits so the lushness and the dread blur together, and \"Kiss of Life\" glides on a jazzy, Motown-style groove.\u003c\/p\u003e\n\u003cp\u003eAdu writes about distance and longing in a voice that never rises above a murmur, and the restraint makes every line land harder. \"Pearls,\" built on a single string figure, follows a woman in the 1992 Somali famine gathering grains of rice fallen from relief trucks. It is where the band's reputation for luxury turns into something harder to sit through. 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Then they disappeared for eight years.\u003c\/p\u003e\n\u003cp\u003eCD album, new, unsealed.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e New and mint, unsealed\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sade","offers":[{"title":"Default Title","offer_id":67095152165105,"sku":"MCG-CD-SAD-LOV-001","price":1500.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/sadelovedeluxecd.jpg?v=1790848852"},{"product_id":"tame-impala-the-slow-rush-cd","title":"The Slow Rush (CD)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eFive years alone in a room, making a record about time.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased 14 February 2020\u003c\/strong\u003e via Modular and Interscope, The Slow Rush is Kevin Parker writing, playing, producing and mixing everything himself, and the subject is time: what it takes, what it gives back, and what it does to someone who spent five years making a record about it. The palette moves from psych rock toward disco and house, with drums mixed dry and keyboards doing the work guitars used to do. \"One More Year\" opens on a loop that sounds like a decision already made. \"Borderline\" jitters with layered vocals and tightening beats, and \"Breathe Deeper\" rides a dancefloor bass line until the synths turn loud and angry.\u003c\/p\u003e\n\u003cp\u003e\"Posthumous Forgiveness\" is the centre: a six-minute reckoning with Parker's late father, sprawling and Isaac Hayes-sized, and the most exposed writing of his career. \"Lost in Yesterday\" spins a thick, flexing synth riff into the catchiest thing here, and \"One More Hour\" closes the record like the last lamp left on after the party. It is the sound of a perfectionist making peace with the clock.\u003c\/p\u003e\n\u003cp\u003eCD album, new and sealed.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e CD, Album\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e New, sealed\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tame Impala","offers":[{"title":"Default Title","offer_id":67095152492785,"sku":"MCG-CD-TAI-SLO-001","price":1600.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/Tame-Impala-The-Slow-Rush-2048x2048.jpg?v=1790545032"},{"product_id":"michael-jackson-bad-cd","title":"Bad (CD)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eFive years after Thriller, made under the weight of the best-selling album ever pressed.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased 31 August 1987\u003c\/strong\u003e via Epic, Bad is Quincy Jones's third and final production for Michael Jackson. Jackson wrote nine of its eleven tracks, pushed the synthesizer programming to the front of the mix, and hardened his delivery into the yelps, gasps and hiccups every imitator has chased since. The textures are steel and neon: synth bass doing most of the low-end work, gang vocals stacked in jazz-chord harmonies, and drums that hit like a slammed car door.\u003c\/p\u003e\n\u003cp\u003eFive singles went to No. 1 on the Hot 100, which no album had managed before. \"Man in the Mirror,\" written by Siedah Garrett and Glen Ballard, is the closest Jackson came to gospel, cut with the Andraé Crouch Choir. \"Smooth Criminal\" gave him the anti-gravity lean, a stage trick he later patented with pegged shoes, and a bass line every producer since has tried to rebuild. \"Dirty Diana\" brought in Steve Stevens on guitar and pulled him toward hard rock. Martin Scorsese directed the eighteen-minute film for the title track in a Brooklyn subway station.\u003c\/p\u003e\n\u003cp\u003eCD album, new and sealed.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e CD, Album.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e New, sealed.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Michael Jackson","offers":[{"title":"Default Title","offer_id":67095184048369,"sku":"MCG-CD-MIJ-BAD-001","price":1650.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/61ucCJod8zL._AC_SL1000.jpg?v=1790547432"},{"product_id":"scorpions-unbreakable-cd","title":"Unbreakable (CD)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eScorpions back on hard rock ground, and the first album with bassist Paweł Mąciwoda.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased May 4, 2004\u003c\/strong\u003e via Ariola \/ BMG. Produced by Erwin Musper with the band and recorded in Hannover between October 2003 and January 2004, it was their first album of new songs since Eye II Eye (1999), after the orchestral Moment of Glory and the unplugged Acoustica.\u003c\/p\u003e\n\u003cp\u003eThe band wrote more than 150 songs for it, recorded 21 and kept 12, plus a bonus track. The result is heavier and more direct than Eye II Eye: Rudolf Schenker and Matthias Jabs lead with riffs on \"New Generation\" and the single \"Love 'em or Leave 'em,\" and the bonus track \"Remember the Good Times (Retro Garage Mix)\" closes the disc. 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It chronicles Cidade de Deus, the Rio housing project where kids grow into gangsters before they grow up, seen through Buscapé, a boy who wants to be a photographer. The story moves from the sun-bleached 1960s to the paranoid, strobe-lit 1980s, with Li'l Zé's rise as its brutal centre of gravity.\u003c\/p\u003e\n\u003cp\u003eMost of the cast were nonprofessionals from the favelas, Cidade de Deus included, shaped in a months-long actors' workshop built on improvisation, with Matheus Nachtergaele the only professional actor among them. César Charlone's handheld cinematography and Daniel Rezende's restless editing gave the film a kinetic grammar half of modern crime cinema still borrows, carried by Antônio Pinto and Ed Côrtes's samba-funk score.\u003c\/p\u003e\n\u003cp\u003eFour Academy Award nominations, for Director, Adapted Screenplay, Cinematography and Editing, and the BAFTA for Editing went to Rezende. 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The EP first came out on 25 February 2003 through Mummy Records, his first solo project on his own label, made while he was estranged from MCA and the major-label album stalled. Karriem Riggins said he was \"at the top of his game,\" and his mother, Maureen Yancey, called it \"the happiest time\" of his career. He recorded it in the Detroit suburbs, at Studio A in Dearborn Heights and at the Clinton Township room he called the Spaceship, and the sound is deliberately raw: drums pushed hard, samples left dirty, Dilla rapping over his own beats with the ease of someone answering to nobody.\u003c\/p\u003e\n\u003cp\u003eDisc one runs the original ten-track sequence first, from \"Let's Take It Back\" and \"Reckless Driving\" to \"Make'em NV\" and \"Crushin' (Yeeaah),\" then the alternate run, which adds \"Wild,\" \"Rock On,\" a different intro and \"Take Notice\" with Guilty Simpson. Disc two carries the instrumentals, including a \"Let's Take It Back\" beat the back cover forgets to list. 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It is where Tame Impala traded the fuzz-guitar psychedelia of Lonerism for synthesizers, drum machines and bass lines built for movement. A Roland Juno-106, a Sequential Pro-One and a Drumtraks did most of the work, and the songs circle one subject: change, and the person who comes out the other side of it.\u003c\/p\u003e\n\u003cp\u003e\"Let It Happen\" opens on nearly eight minutes of pulsing synths and robotic rhythm that sprawls into a jam. \"Yes I'm Changing\" drifts like a yacht-rock ballad sailing out at dusk, \"Eventually\" borrows 80s balladry for a breakup song that refuses to be heartbroken, and \"The Less I Know the Better,\" a glittering slice of funk-rock, became the band's biggest song. \"New Person, Same Old Mistakes\" closes heavy, and Rihanna later covered it on Anti over Parker's own instrumental. 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The concept is loose, an androgynous rock star sent as a messenger five years before the end of the world and consumed by his own fame, and the songs carry it with glam swagger and real dread.\u003c\/p\u003e\n\u003cp\u003e\"Five Years\" opens on a lone drumbeat and a countdown to the apocalypse. \"Starman\" was the lead single, and Bowie's Top of the Pops performance of it on 5 July 1972, arm draped around Ronson, is the broadcast that made him a household name in Britain. \"Moonage Daydream,\" \"Suffragette City\" and \"Rock 'n' Roll Suicide\" complete the arc. Brian Ward shot the cover on Heddon Street in London, under the K. West furrier's sign, and the back sleeve still carries the instruction: to be played at maximum volume. The album entered the US National Recording Registry in 2017.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e CD, Album, Remastered, 4-panel digisleeve with 8-page booklet.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e New, sealed.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"David Bowie","offers":[{"title":"Default Title","offer_id":67265888878833,"sku":"MCG-CD-DAB-ZIG-001","price":1600.0,"currency_code":"EGP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/db_ziggy_1cd_cover.jpg?v=1792630091"},{"product_id":"gorillaz-demon-days-cd","title":"Demon Days (CD)","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eSix times Platinum in the UK, and the record that made Gorillaz the first animated act to win a Grammy.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eReleased 23 May 2005\u003c\/strong\u003e via Parlophone, Demon Days began as a feature film that never got made. Damon Albarn and Jamie Hewlett turned it into Gorillaz's second album once the studio executives passed. Danger Mouse took over production from Dan the Automator, joining in April 2004 while still notorious for The Grey Album, and the record was cut in London across that year. Albarn's train ride through Mongolia set its mood. The result is a dark pop concept album about a world going sour: oil running out, war after 9\/11, religion bent into a weapon, people alone in a crowd. Danger Mouse holds it together with heavy drums and a cold, dusty low end, and the music grows stranger as it goes.\u003c\/p\u003e\n\u003cp\u003eThe guest list should collapse under its own weight. Neneh Cherry drifts through \"Kids with Guns,\" Bootie Brown raps \"Dirty Harry\" over the San Fernandez Youth Chorus, and De La Soul cackle across \"Feel Good Inc.\" Ike Turner hammers the piano solo on \"Every Planet We Reach Is Dead,\" MF Doom slips into \"November Has Come,\" and Roots Manuva and Martina Topley-Bird share \"All Alone,\" a skittering hip-hop cut that dissolves into a haze. Shaun Ryder and Rosie Wilson trade lines on \"Dare,\" Dennis Hopper narrates \"Fire Coming Out of the Monkey's Head\" like a bedtime story gone wrong, and the London Community Gospel Choir lifts the closing pair. Every one of them lands in a space Danger Mouse cut to fit.\u003c\/p\u003e\n\u003cp\u003e\"Feel Good Inc.\" won the Grammy for Best Pop Collaboration with Vocals and spent eight consecutive weeks at No. 1 on the US Modern Rock chart, and \"Dare\" went to No. 1 in the UK. The album entered the UK chart at No. 1 and has sold around eight million copies worldwide. Two decades on, its critique reads as eerily prescient. It is Albarn's bleakest pop record, and his most generous.\u003c\/p\u003e\n\u003cp\u003eEuropean CD in a jewel case, new and sealed.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e CD, Album, jewel case, European edition.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e New, sealed.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast shipping all over Egypt.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Gorillaz","offers":[{"title":"Default Title","offer_id":67265889599729,"sku":"MCG-CD-GOR-DEM-001","price":1500.0,"currency_code":"EGP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0748\/6878\/5393\/files\/71lix6_VfWL._SL1425.jpg?v=1792622608"}],"url":"https:\/\/madcitygrooves.com\/collections\/available-now.oembed","provider":"Mad City Grooves","version":"1.0","type":"link"}